Callan Pierce has the week’s defining chart move as The End climbs 13 places from No. 14 to No. 1 on Soundboard Magazine’s latest Top 40.
The pop track’s rise puts Pierce at the center of a crowded upper tier, where two songs also arrive directly inside the Top 5. The End generated roughly $3.1 million in weekly revenue, underscoring the scale behind its ascent from the middle of the chart to the summit in a single cycle.
A No. 1 jump from outside the Top 10 is a different kind of chart story than a quiet hold at the top. It reflects a sharp shift in the weekly picture, and The End did not merely edge upward: it passed 13 positions to move ahead of the rest of the field. The result gives Pierce the week’s biggest jump as well as its highest placement.
The chart’s top end was active beyond Pierce’s breakthrough. Four Old Truths enters at No. 4, while Not Your Fault opens at No. 5. Both debuts arrive with a score of 60, giving this cycle three notable developments in the Top 5 and keeping attention focused on a rapidly changing front of the list.
That combination matters because a chart week can often be shaped by a single established leader or by a gradual series of smaller gains. This time, the biggest movement and the most prominent new arrivals are concentrated near the summit. The End’s move to No. 1 is the clearest outcome, but the pair of high debuts ensures the broader chart remains competitive immediately behind it.
Pierce’s result also stands out within pop’s highly visible place in the streaming era, where a song’s ability to break through the volume of weekly releases can be as consequential as its opening position. The End began the cycle at No. 14, already within reach of the upper chart, but its rise to the top represents a considerably larger step than a standard Top 10 advance.
Elsewhere, Antes de Ti reaches its 10th week on the Top 40. Its continued presence offers a contrasting measure of chart strength: not the sudden surge that carried The End to No. 1, but the ability to remain in the weekly conversation across multiple cycles.
For this week, though, the lead belongs to Pierce. The End has turned a No. 14 starting point into the chart’s most prominent position, with roughly $3.1 million in weekly revenue supporting a 13-place climb that reshapes the Top 40’s upper ranks.
